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Calling Delivery Man a "comedy" is a bit of a stretch, because it's rarely funny. Dumb, yes, but not in a way that's worthy of more than a half-hearted chuckle. Then again, it functions even worse as a "drama" because the production insults the vie...

History has labeled Susan Seidelman’s Desperately Seeking Susan as “a Madonna film” but a more accurate descriptor might be “a Rosanna Arquette film.” Indeed, at the time Seidelman was casting the film, Madonna was a footnote in the musi...

Seen in standard (non-IMAX) 3-D. 2010 has not been a vintage year for movies in general, but it has been an uncommonly good year for animated films. With Toy Story 3 leading the way, the latest crop of big screen animated fare has emphasized th...

Despicable Me 2 feels like a opportunity to get together with some old friends, hang out, and discover what they've been up to. The movie lacks the high voltage wit of its predecessor but the breezy charm is still in place and, especially for kids,...

Despicable Me 3 is an example of how even the most promising animated franchises can hit a wall if allowed to continue too long. One can understand why Universal greenlit this film. The previous two (or three if you count the spin-off Minions)...

For a movie that was posited as one of 2024’s heavy hitters, Despicable Me 4 is strangely inconsequential, especially coming in the wake of the more substantive Inside Out 2. More of a “big screen cartoon” than a legitimate “animated featu...

Destroyer could earn Nicole Kidman some consideration for an Oscar nomination and the gritty neo-noir storyline about obsession, guilt, and betrayal is worthwhile for those who appreciate the genre, but the movie seems destined to be lost in t...

In July 1967, civil unrest resulting from the brutality of the predominantly white Detroit police department reached a boiling point. The result, which history has named the “12th Street Riot”, was one of the deadliest and destructive riots in...

The underlying premise of Devil is the kind of thing Alfred Hitchcock could have used to develop a tightly-wound, pulse-pounding suspense movie. Unfortunately, Hitchcock is dead and the two men shepherding Devil through its production are not near...

It seems that in a period detective story, it's a prerequisite for the main character to narrate the proceedings. In Devil in a Blue Dress, writer/director Carl Franklin apparently intended this conceit as a tribute to the Dashiell Hammett/Raymond...