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For Robert Duvall, The Apostle was a labor of love. It is said that every man or woman has at least one story to tell; this is Duvall's. The film was in the making for over a decade, and, when no studio bought into it, Duvall put up the money...

One of the most evident signs of the shift in movie-goers' tastes over the years has been the decline of the Western. Once among the most popular of film genres, it now ranks near the bottom. If there's a benefit to this downturn, it's that mode...

For Ask the Dust, director Robert Towne, adapting the novel by John Fante, has returned to the time and place of his greatest cinematic endeavor: Los Angeles in the 1930s. The setting, however, is the only similarity between Ask the Dust and China...

One of the longest films of the fall (both in terms of title length and running length) is The Assassination of Jesse James by the Coward Robert Ford. It seems every bit as long or longer than its 160 minutes. Parts of the movie are brilliant in a ...

What is the world coming to when the film community is remaking John Carpenter movies? Admittedly, Assault on Precinct 13 isn't the best example of Carpenter's expert craftsmanship, but it was the picture that got him noticed, and that notice enab...

It takes about ten seconds to identify Asteroid City as a “Wes Anderson movie” and that’s arguably the movie’s Achilles Heel. Anderson’s style and approach have become so baked-into his projects that they threaten to overwhelm the materi...

Had Martin Scorsese made this film 25 years ago, it would have been greeted with a surge of curiosity. Howard Hughes, one of the richest eccentrics of the 20th century, was still fresh in the public's mind at that time. Now, more than a quarter c...

Had Back to the Future come to life as originally envisioned by the purse string-holders at Universal Pictures (which owned the rights to Bob Gale's screenplay), it might have been a very different project, with Eric Stoltz in the lead role. Stoltz...