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The popularity of Conan the Barbarian peaked during the early 1980s, with no fewer than three monthly comic books to go along with the books and the first Arnold Schwarzenegger movie. The success of the 1982 film begot a horrible sequel, Conan the...

Know, O Prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the sons of Aryas, there was an age undreamed of... Hither came Conan the Cimmerian, black-haired, sullen eyed, sword in han...

Contact is likely to change a lot of perceptions -- not only about the role of humankind in the universe, but about what special effects can do for a movie when they're used in the service of a story, rather than the other way around. Contact...

Cookie's Fortune deserves to be appreciated on its own terms. A less-ambitious outing from veteran director Robert Altman (at least when compared to movies like Nashville, The Player, and Short Cuts), this movie delivers agreeable performances and...

Countdown to Zero feels just like a History Channel documentary, which is unsurprising when one considers that the movie was produced by none other than The History Channel. As with most of their fare, this one mixes archived footage with talking ...

Cowboys & Aliens is a mashup of a mediocre Western and a mediocre science fiction story. The resulting film is far better than the sum of its two seemingly disparate parts. Although a little overlong, the production will find favor not only with l...

Ensemble features can be daunting, yet some filmmakers embrace the challenge, and their results reward an audience. A lot of characters are woven into the tapestry of Crash, the feature directing debut of TV veteran Paul Haggis. (Haggis was also O...

Cursed is a good title for this film, which has been beset by problems from the outset. The version finally reaching theaters in February of 2005 likely bears little resemblance to what producer/writer Kevin Williamson and director Wes Craven init...

Renny Harlin, whose previous directorial efforts include Die Hard 2 and Cliffhanger, seems fond of big, explosive action pictures. Unfortunately, excepting his debut (the middle film in the Die Hard trilogy), plot coherency hasn't been a particula...