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My reaction to The Darjeeling Limited is much the same as for most of Wes Anderson's previous efforts: it's an easy movie to admire but more difficult to like. Technically and thematically, there's a lot in The Darjeeling Limited to arrest the atte...

As a bio-pic, De-Lovely is pretty standard, run-of-the-mill stuff (albeit with an interesting framing device). However, as a "best hits" collection of Cole Porter's music, it is unparalleled. With approximately two-dozen of his tunes performed by...

Whether by coincidence or design, the three week period from August 20 through September 10 has been dominated over the last five years by Jason Statham. In 2004, there was Cellular. In 2005, there was Transporter 2. The 2006 entry was Crank, fo...

Fans of Death Race 2000 (they comprise a small but loyal group) argue that the movie’s strength lies not in its action but its political commentary. Although it would be fair to say that the film has allegorical elements related to a dystopi...

Imagine, if you will, the dispiriting experience of listening to an awful cover of one of your favorite songs. That's how I felt sitting through Die Another Day, the 20th official outing for Ian Fleming's super-spy. This is a train wreck of an ac...

While watching Disney's Dinosaur, with all of its incredibly rendered creatures and seamless blending of animated objects with real backgrounds, a question occurred to me: In movies like this, can the writing keep pace with the technology? Films ...

More than 30 years after its initial release, The Dirty Dozen remains one of the most popular war films ever to grace the silver screen - a reputation that not even three bad made-for-TV sequels in the late '80s could tarnish. A quintessential "gu...

Recently, Barry Levinson's career has been on the skids. After two critical and popular disasters (the overblown, overbudgeted Toys and the lackluster Jimmy Hollywood), the director is in need of a success. With this adaptation of Michael Crichton...

One of the great strengths of Quentin Tarantino's films is the way his love of cinema permeates every frame. From subtle, throw-away lines and in-jokes to more obvious nods (such as the "old fashioned" Columbia logo at the beginning or the '70s-sty...