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There's a kind of exhaustion that sets in while watching Marty Supreme – a response to the relentless, anxiety-inducing noise that defines the 150-minute experience. In Josh Safdie's first solo directorial effort in more than 15 years (following...

For those who didn't get enough of James Bond late last year when The World Is Not Enough blazed its way into theaters, Mission: Impossible II offers a chance to once again get shaken and stirred. Oh, the film isn't an official entry into the dura...

My Best Friend's Wedding is the estrogen alternative to the vast quantity of testosterone being pumped out by the other major June releases: Con Air, Speed 2, Batman and Robin, and Face/Off. As the summer's centerpiece romantic comedy, My Best ...

You know there's a problem when the most interesting character in a film called Oliver Twist is a supporting woman named Nancy. Technically sound and surprisingly faithful to its source material, Roman Polanski's version of Oliver Twist comes acro...

To lump The Pianist in with all of the other Holocaust stories brought to the screen does a great disservice to this powerful, compelling motion picture. Crafted without a whiff of melodrama, this motion picture takes a steady, unflinching look at...

Quartet is as safe, conventional, and uncontroversial a film as one could imagine. The straightforward screenplay is elevated considerably by a series of sterling performances. If one wanted to bolster an argument about the importance of acting t...

Rain Man is an oddball buddy/road movie that nearly drowns in a tsunami of sentimentality and predictability. An unabashed crowd-pleaser, the 1989 Best Picture Oscar winner has aged poorly, its marginal likability fading like an old Polaroid s...