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Often, when a romantic comedy fails, it's because of the lack of chemistry between the leads. In the case of Leap Year, the problem isn't the absence of chemistry but the presence of too much of the wrong kind. The sense of cold antagonism that i...

There's a rule in Hollywood: spring is for baseball films; fall is for football films. It's a time-honored tradition that makes sense when one considers the seasonal popularity of the sports, but Leatherheads flouts it. This is a football-themed ...

Leave No Trace is one of the most moving motion pictures thus far of 2018 and it achieves its power without resorting to the overt manipulation favored by many movies. An atypical coming-of-age story, the film examines the relationship between...

Around the time that Mike Figgis began production of Leaving Las Vegas, John O'Brien, the author of the book upon which the film is based, shot himself in the head. This story, according to O'Brien's father, is his son's suicide note. And what an...

Perhaps the kindest thing to say about Lee Cronin's The Mummy is that it's not the worst movie to bear the words "The Mummy" in the title. That (dis)honor belongs to the 2017 Tom Cruise disaster. Cronin’s film falls well outside the purview o...

There's no "rule" determining that religion-oriented movies are necessarily poorly made. Indeed, there are examples aplenty of serious minded, reverent motion pictures that work not only for pious viewers but for those with a secular outlook. The ...

Legally Blonde fits into the niche occupied by motion pictures like Clueless, Dick, and Romy and Michelle's High School Reunion - that is to say, films in which an airhead heroine captures our affection and overcomes her vacuous disability to trium...

Legally Blonde 2 should never have been made. It is a cinematic abomination - a source of embarrassment for everyone involved. There have been worse films this year, but none has been marketed as this fun-loving and upbeat. Worthwhile moments ar...

In 2016, one wonders whether there’s a place in cinema for the 104-year old Tarzan. To make the character more relevant to a modern audience, screenwriters Adam Cozad and Craig Brewer, along with director David Yates (who helmed the final four ...

Some sequels are made too soon, while others are made too late. The Legend of Zorro, Martin Campbell's follow-up to his well-received 1998 feature, The Mask of Zorro, falls into the latter category. It's difficult to say whether the film would ha...