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It's Dangerous Minds with dancing. That's the sinking feeling I got while watching Take the Lead, one of the year's most uninspired inspirational stories. Culled from the real-life experiences of Pierre Dulaine (Banderas), Take the Lead warps and...

Takers is a standard-order heist flick that stays mostly true to its B-movie roots until the end, when director John Luessenhop attempts to inject a little seriousness (there's some slow-motion and even an operatic score) into an otherwise unpreten...

The Hollywood remake train continues unabated, racing through signals as it dives underground into New York City's subways. At least it can be said that this, the third version of The Taking of Pelham 123 (following the 1974 feature and a 1998 mad...

Woodstock - the shining moment in the age of peace and free love, the incredible high that came before the bad trip of the '70s - is often remembered most for the music. This is due in no small part to Michael Wadleigh's definitive documentary. F...

As animated films go, The Tale of Despereaux represents adequate family entertainment. The quality is nowhere near the level we have come to expect from Pixar but, since there are no Pixar films in theaters this time of year, The Tale of Despereau...

Talladega Nights (subtitled, The Ballad of Ricky Bobby) is, in many ways, just like every other Will Ferrell comedy: take some satire, add some hit-and-miss jokes, throw in a lightweight storyline, and let the lead actor be the catalyst that crysta...

Tammy is a road trip movie and, like many road trip movies, it embraces a meandering, aimless tone. It's often said for films of this sort that it's the journey that matters, not the destination. Unfortunately, in this case, neither is worth the pr...

Seen in "standard" (non-IMAX) 3-D. Tangled (which was called Rapunzel until the 11th hour) represents Disney's application of "new" technology to an old format. In many ways that matter, this film recalls the recent classics of the Magic Kingdo...

At a time when most movies spoon-feed background and narrative developments to viewers via exposition dumps and flashbacks, Todd Field (making his third overall feature and his first in 16 years) opts for a more  ambiguous approach. By trusting t...

One thing viewers should never reasonably expect from an animated movie is faithfulness to the source material. Adult themes and unhappy endings rarely make it into a Disney movie. That's why Ariel survives in The Little Mermaid, the bulk of Alad...