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We Are Marshall is precisely what one expects from a true sports story: it's uplifting and inspiring. Although the film does not ascend to the pinnacle of its genre (arguably occupied by Hoosiers), it's not too far down the mountain and the added ...

After the twin disappointments of Vanilla Sky (which critics generally liked but the public did not) and Elizabethtown (which was equally dismissed by critics and the general movie-going populace), Cameron Crowe has hunkered down in relative obscur...

I have never been a fan of big, bold tearjerkers – the kind that often function equally well as motion pictures or commercials for Kleenex. Despite great, lived-in performances from lead actors Florence Pugh and Andrew Garfield, We Live in Time ...

Tilda Swinton is a chameleon unafraid of any subject matter, no matter how hard-hitting or difficult. She has appeared in one of the most emotionally crushing films I have ever seen, Tim Roth's The War Zone, and her performance in We Need to Talk a...

Loyalty. Betrayal. Violence. Family. Those are the crucial staples to be found in any crime drama worth viewing, and writer/director James Gray shoehorns them into his high wattage effort, We Own the Night. Despite a plot that occasionally creaks...

In some ways, the 1980s represent the perfect era in which to set a slasher – recent enough for the societal norms to be recognizable but prior to the advent of such plot twist-busting devices like the cellphone and the Internet. Mark Meyers...

Of all the cast members of the former Friends, Jennifer Aniston is by far the most successful. But there's no correlation between "success" and "quality." For a while, Aniston showed a willingness to try different things and experiment (her high po...

Weapons is a step up for writer/director Zach Cregger from his promising horror debut, Barbarian – funnier, more unsettling, and ultimately more satisfying when taken as a whole. Identified by the filmmaker as having been in part inspired by...

Reaction to The Weather Man may depend upon an individual's ability to tolerate spending 100 minutes in the company of an unpleasant protagonist. There's no doubt this can be an uncomfortable experience, but it can also be rewarding for those who ...

Wai-Tung (Winston Chao) has a problem. Living in New York with a well-paying job, a nice home, and a stable relationship (with Simon, played by Mitchell Lichtenstein), everything appears to be going his way. But his parents, unaware of his homose...