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Some material is inherently better suited to documentary (rather than feature film) treatment. That’s the case with The 33, a “based on fact” account of the 2010 Chilean mining disaster that riveted news-watching populations worldwi...

Note: This review includes spoilers for the movie Interstellar, believe it or not. The Age of Adaline wants viewers to think of it as a modern-day fairy tale. Such a conceit, however, can be seen as an excuse for slipshod writing. The need to judg...

During the first two decades of his movie career, Cameron Crowe was a critical and popular darling, turning out titles like Fast Times at Ridgemont High (which he wrote), Say Anything (wrote/directed), Jerry Maguire (wrote/directed), and Almost Famou...

Quentin Tarantino didn't originate the method of blending extreme violence with dark comedy but his early films (especially Reservoir Dogs and Pulp Fiction) popularized it for today's generation. Since the early 1990s, many directors have att...

Anomalisa offers evidence that animated films are not necessarily the sole province of children. In fact, this one isn’t even designed for all adults. Charlie Kaufman has always been something of an acquired taste. Anomalisa highlights Kaufman at h...

Ant-Man, as obscure a superhero title as has been released since the inception of the so-called "MCU" (Marvel Cinematic Universe), may test the perception that Marvel can do no wrong. The general public knows Spider-Man, Iron Man, Captain A...

It is the 800-pound gorilla in the room, the behemoth before which every other would-be blockbuster during the summer of 2015 must bow. Yet, perhaps because the filmmakers subconsciously recognized this and didn't feel the pressure to excel, the ...