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Sundown is draped in a haze of uncertainty, with writer/director Michel Franco (Chronic, After Lucia) intentionally obscuring key details at the outset to keep the audience in a state of partial awareness. This lends a tint of mystery to what, tol...

It’s in vogue to call some horror films “throwbacks,” but, at least in the case of Danny and Michael Philippou’s directorial debut, Talk to Me, it’s an accurate assessment. In recent years, the horror trend has been for “safer” movie...

At a time when most movies spoon-feed background and narrative developments to viewers via exposition dumps and flashbacks, Todd Field (making his third overall feature and his first in 16 years) opts for a more  ambiguous approach. By trusting t...

Boiled down to its essence, Thor: Love and Thunder is just another comic book movie – a celebration of the tropes that have made each new MCU entry an opportunity for Disney to fatten its coffers. Nevertheless, “it” director Taika Waitit...

I’m not sure whether I can argue that Three Thousand Years of Longing is among the best movies to be released during the so-called “post-pandemic” era (a time period that began in late May 2021) but it is one of the most singular, memorable ...

Ticket to Paradise is a frothy concoction that will appeal to those whose movie-loving sensibilities are anchored to the rom-coms of the 1980s and 1990s. Had this movie been made 25 years ago, it likely would have been hailed for its whimsy, f...

The key to effectively dramatizing a tragedy like the one at the center of Till is to avoid the slightest whiff of exploitation. The events surrounding the death of 14-year old Emmett Till on August 28, 1955 are well documented. Prior to that fate...

Top Gun: Maverick is one of those rare breeds: a sequel that’s better than the original. Due in part to the passage of 36 years in between installments, the second film arrives with a less glossy, more serious approach. Cold war rah-rah machismo...

Swedish director Ruben Ostlund is at it again, using the medium of film to satirize themes and ideas worthy of ridicule. In 2017’s The Square, he turned his attention to the art world. In Triangle of Sadness, the canvas is broader and include...

There are moments when True Things, a romantic melodrama about a toxic love affair, almost breaks through. But, in large part because it never coalesces the hazy vagueness surrounding the characters, it doesn't quite get there. The chemistry betwe...