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Whether by coincidence or design, the three week period from August 20 through September 10 has been dominated over the last five years by Jason Statham. In 2004, there was Cellular. In 2005, there was Transporter 2. The 2006 entry was Crank, fo...

Fans of Death Race 2000 (they comprise a small but loyal group) argue that the movie’s strength lies not in its action but its political commentary. Although it would be fair to say that the film has allegorical elements related to a dystopi...

In addition to scaring the living daylights out of millions of movie-goers and putting a cramp in the revenue stream of nearly every North American beach resort, two significant developments can be attributed to Jaws. With its more than $250 milli...

Jeanne Dielman (full title: Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles) functions equally as a fascinating, at times mesmerizing time capsule, and an endurance trial. Clocking in at 202 minutes, the movie would be difficult enough to...

Few will argue that The Man with the Golden Gun is the silliest of all the James Bond motion pictures (Casino Royale excepted). From the return appearance of Sheriff J.W. Pepper (Clifton Davis) to the ridiculous martial arts fight where two s...

One of the questions I am frequently asked by e-mail is "What is your favorite comedy?" In a horse race that's almost too close to call, I have decided upon A Fish Called Wanda, followed closely by The Life of Brian, then Monty Python and the Holy...

Not only is Nashville the title of Robert Altman's 1975 cinematic masterpiece and the name of the city in which the action is set, but it is the biggest and most colorful character on a palette crammed with well-developed, interesting individuals. ...

Arguably, some of the issues addressed by One Flew Over the Cuckoo's Nest are not as relevant in 2006 as they were in the mid-1970s, but that realization in no way diminishes the film's dramatic impact. This was the second English language film fo...

Nearly a half-century after the theatrical debut of Jim Sharman’s The Rocky Horror Picture Show, the movie at the heart of the cult experience has been reduced to near-irrelevance. Devotees attend midnight screenings not because they want to...

The first thing to state about Salo, the oft-banned and infamous final movie of Italian filmmaker Pier Paolo Pasolini, is that it has a purpose beyond depicting a catalog of taboos and grotesqueries rarely seen on screen. With Salo, which has a sec...