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To be fair, Transcendence contains its share of "big ideas" - science fiction tropes that have fascinated readers and viewers for decades, ever since the concept of computer sentience became fodder for stories and movies. Unfortunately, it takes mo...

It's dangerous to live in Quentin Tarantino's world, as Clarence Worley (Christian Slater) discovers in the explosive True Romance. When Clarence, a loner with a love of low-budget Kung Fu movies, meets Alabama Whitman (Patricia Arquette), a callg...

Untraceable engenders a reaction that is one part fascination, one part disappointment, and two parts frustration. The film, which has the ingredients for a thoughtful, tense thriller throws away a compelling first half so it can descend into silli...

Vengeance tries for something different and succeeds. But, although screenwriter/director B.J. Novak swings for the fences, he doesn’t quite get the ball out of the park. This Blumhouse production marries fish-out-of-water elements with some phi...

In 2018, an argument could have been made that a Venom-centric movie was sensible, preferably as a lead-in to the expected big-screen clash between the inky symbiont and his web-crawling nemesis, Spider-Man. (The previous motion picture throwdown ...

There was hope in 2005 that Woody Allen had re-discovered his groove with the release of Match Point. Since then, however, he has slipped back into the sinkhole of mediocrity that kept him from greatness throughout most of the '90s and '00s. Unfo...

Spoiler warning: The movie is based on real people and events so I am less constrained about revealing certain historical facts than I might be with a fictional account. The story told in Vincere, despite being as faithful to history as one can ...

After a 10-year absence, Aardman Animation's foundation characters, Wallace & Gromit, have returned. The clay man and his dog, who were featured in three animated shorts between 1989 and 1995, were left out in the cold when Nick Park and his crew ...

Turning back the calendar to the morning of September 11, 2001 is a risky proposition for any director, and not to be undertaken lightly. Paul Greengrass succeeded brilliantly with his United 93 and now Oliver Stone, never one to back away from a ...