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Bliss is one of those Twilight Zone/Outer Limits-type stories that, when presented at a high level, sounds compelling. With its blend of existential science fiction and character-based romance, it would seem to be as close to a can’t-miss pr...

Blow the Man Down is a grounded mystery that relies on old-fashioned movie elements like atmosphere, character development, and narrative arc without needing crutches like fast editing, frenetic action sequences, and visual clutter. Although t...

The chief source of enjoyment from watching a Borat skit (or movie) is seeing how “normal” people, caught in a bizarre situation, attempt to extricate themselves from embarrassing circumstances. It’s Candid Camera on LSD. The first Borat...

The Boys in the Boat is an old-fashioned, uplifting story about the triumph of underdogs. The film radiates the same level of classiness often associated with its director, George Clooney. Sentimental without being saccharine, this based-on-histor...

Regrets are a natural byproduct of the human condition and the older we get, the more we accumulate. The key to continuing to lead a content and productive life is to avoid being crippled by them – something that is becoming an increasing ch...

It’s refreshing to find a teen romance that doesn’t feel obligated to end with a confession of undying affection. In real life, which Chemical Hearts seeks to emulate, high school love affairs may result in fumbling in the dark, loss of vi...

It’s unclear why the filmmakers felt we needed another Cinderella adaptation, especially one with such an amateurish, made-for-TV aesthetic. It’s not as if there hasn’t been a recent one – Kenneth Branagh’s live-action version is only...

From its pristine black-and-white cinematography to the austere hopelessness of its doomed love story, Cold War is indeed cold. Set against the backdrop of Europe between 1949 and 1964, the movie details a romance as bleak as the surroundings. ...

The fairest way I can describe Coming 2 America is to say that it’s not as bad as I feared it might be. Damning with faint praise, indeed. My expectations were based on two factors: (1) the original movie, Coming to America, was an amusing-b...

Bart Layton’s Crime 101, his first narrative feature in eight years, falls squarely into the category of movies that should be better than they are. With an ensemble cast of this caliber—featuring Chris Hemsworth, Mark Ruffalo, Halle Berry, Ba...