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It is my fondest dream that some day filmmakers will realize that great visual effects do not by themselves equate to a worthwhile motion picture experience. However, until that state of cinematic utopia arrives, audiences will be forced to endure...

Hoppers is Middling Pixar. By that, I mean that it's a perfectly fine animated film, especially for kids, but not an exceptional one. It lacks the unquantifiable magic that has imbued the best of the studio's offerings, operating instead withi...

Sometimes with a movie like The Host, it's tough to determine whether the fatal flaws lie in the source material or the adaptation. Considering that the author of the source material is Stephenie Meyer, who singlehandedly defanged vampires and decl...

In recent years, as cloning has become more readily accepted in popular and scientific circles, proposals (some more fantastical than others) have been suggested about how to return extinct species to the planet. Some, like using the DNA of a prese...

I Am Legend, the third cinematic adaptation of Richard Matheson's novel, has been in development for a very long time. Originally slated to star Arnold Schwarzenegger and be directed by Ridley Scott, this movie has kicked around for so long that b...

Amy Schumer is a little like Woody Allen in one way – both actors use cinema as therapy, working through various personal neuroses in arguably the most public and visible manner possible. For Schumer, it’s about body image and personal emp...

Remove Sydney Sweeney from Immaculate and what remains scarcely seems worth the time to watch. Set in a cloistered location, the film builds suspense through the insular nature of the setting but the storyline is muddled, the pacing is uneven, and...

Andrew Niccol is fascinated by the impact of futuristic technologies on society. His gripping feature debut, 1997's Gattaca, explored a civilization in which genetic tinkering rendered natural reproduction obsolete. With In Time, he is again looki...

Under the control of a different director, The Informant! might have been a reasonably straightforward thriller. With Steven Soderbergh at the helm, however, this has become a whimsical, semi-comedic romp, complete with a score by Marvin Hamlisch ...