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For 2019’s Big Holiday Musical Extravaganza, Hollywood has gone all the way back to 1981 to choose the source material. The concept of making a motion picture version of Andrew Lloyd Webber’s immensely successful stage play, Cats, has both...

Without pussyfooting around, I can state that Catwoman is a catastrophe. An amalgamation of bad clichés purr-loined from other, better superhero movies (not that there are many - if any - that can be considered worse), this motion picture is an e...

Cavalcade, which is based on the Noel Coward play of the same name, became the third anti-war movie in the Academy Awards' first six ceremonies to win the Best Picture Oscar. If nothing else, this reveals something about the lingering power of Wor...

Cellular is a nearly perfectly executed "high concept" thriller, that, like Speed and Phone Booth, uses a gimmicky setup but is paced so relentlessly that you don't have time to dwell upon the obvious implausibility of the situation. (It should be...

Considering the rancid, nightmarish quality of his books, it's somewhat amazing that a writer like British author Ian McEwan could have three of his works filmed by now. In addition to The Cement Garden, The Comfort of Strangers has been made into...

If Meet the Feebles wasn't your cup of tea, Night of the Living Dead grossed you out, and you didn't see the humor in The Evil Dead, then Cemetery Man is definitely not for you. On the other hand, if you don't mind horrific, grotesque comedy that ...

Despite being blessed with well-designed period sets and top-tier acting, this collaboration between Downton Abbey writer Julian Fellowes and director Michael Engler fails to take flight. I’m not one who normally issues demerits for a slow p...

If there is any living director who can do justice to the warped nature of Roald Dahl's "children's stories," it's Tim Burton. Charlie and the Chocolate Factory isn't the first time these two have "collaborated." Burton produced Henry Selick's anim...

I'm not a Zac Efron hater; I thought he did a solid job in Me and Orson Welles, a film that showcased his ability to act when given the opportunity. However, in Charlie St. Cloud (as in his previous outing for director Burr Steers, 17 Again), Zefr...

It's a curious thing. Whenever this much talent is assembled for a motion picture, the result inevitably seems to be a letdown. And to say that Charlie Wilson's War is topheavy with talent is to understate the matter. The cast features three Osc...