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If you pay attention to Hollywood's romantic comedies, the interaction between men and women is all about love and companionship. If you instead rely upon the philosophy of Closer, it's all about power. Closer starts like a nice romantic drama, w...

Based on a perusal of reviews for Cloud Atlas, one might be convinced that the sprawling, ambitious, epic adaptation of David Mitchell's 2004 novel is either a masterpiece or an unmitigated disaster. The reality is somewhere in between. It's hard t...

The decision to release The Cloverfield Project direct-to-streaming (DTS?) is not only a glimpse of how the future may look for middle-budget movies but a win-win for Paramount Pictures and Netflix. The studio has found a way to offload a whit...

When Clue was released around Christmas 1985, it was intended to spearhead a wave of based-on-board game movies. The film’s box office failure, coupled with poor critical notices and lukewarm viewer response, stopped the “craze” before i...

In terms of content, if not style, Coal Miner’s Daughter would fit with the spate of musician-related biopics that have dotted the recent landscape. And, although central figure Loretta Lynn (Sissy Specek) never had the same kind of Billboard To...

It's the nature of our society to put people on pedestals. Some wear the title of "hero" like a mantle; to others, it is an albatross. You need look no further than the O.J. Simpson story to see this. So what defines greatness? This question, i...

One could make a cogent, compelling argument that no individual had a bigger impact on the 20th century fashion industry than Coco Chanel. Larger than life in both image and influence, she shaped the way women dressed from the Flapper era until he...

It's not often that, when the primary thread of a movie fails, the secondary storylines are compelling enough to make the overall experience a positive one. However, that occurs with Cold Mountain, a Civil War era romance where the love affair fiz...

Those going to Cold Pursuit expecting a typical early-year Liam Neeson action thriller may be disconcerted by what Norwegian director Hans Petter Moland delivers. On the surface, this is a standard-order revenge movie: a snow-plow driver, Nels...

The Color of Money is a good movie, but perhaps not a good sequel. In revisiting the shady, obsessive world of former pool shark Fast Eddie Felson (Paul Newman), Martin Scorsese provides us with a character so different from the one found in Rober...