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It has been called brave, rousing, and shocking. At the 1996 Cannes Film Festival, where it received its world premiere, it was both hailed and booed, and received a special jury prize for "originality, daring, and audacity." Ted Turner, who ...

The Crazies, which is based on the 1973 George A. Romero film of the same name (Romero gets an Executive Producer credit for this one), continues the trend of recent films to delve into apocalyptic scenarios. Granted, in this case, it's just a smal...

Crazy Heart is the country music version of The Wrestler: a grizzled veteran whose days in the spotlight are behind him struggles to keep going while seeing the world through a haze of regret and booze. The story is unremarkable; the alcoholic com...

On the surface, Crazy Rich Asians and Sex and the City couldn’t be more different but, if you dig deep enough into their respective DNA’s, there’s a common thread: the love of conspicuous consumption. Heard the term “First World probl...

Bart Layton’s Crime 101, his first narrative feature in eight years, falls squarely into the category of movies that should be better than they are. With an ensemble cast of this caliber—featuring Chris Hemsworth, Mark Ruffalo, Halle Berry, Ba...

Criminal is an English-language remake of the little-known (at least in these parts) Nine Queens, a 2000 film from Fabian Bielinsky. First-time director Gregory Jacobs and his co-writer, "Sam Lowry" (actually a pseudonym for Steven Soderbergh), ha...

The Critic transpires during a time when critics (in this case, theater critics) wielded enormous power. A review in a daily newspaper could ruin a reputation, close a play, or elevate something from obscurity to prosperity. The film occurs in 193...

The success of Paul Hogan's Crocodile Dundee in America is about as unlikely as the success of the title character on the streets of New York City. Nevertheless, in part because of Hogan's winning smile and in part because of his unpretentious sty...

One of many things that can be said about director Ang Lee is that he's not afraid to take a chance. The Taiwanese-born director has embarked upon such diverse projects as Eat Drink Man Woman (about family relations and the clash of old and new va...

The Crow is a gothic nightmare. With a view of Detroit that is every bit as bleak and dazzling as the urban panoramas presented in Batman and Blade Runner, this film makes it clear from the outset that wherever its flaws may lie, they will not be ...