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Sometimes just having a clever idea isn’t enough. Not nearly enough. Take Return to Horror High. If I was being generous, I’d admit there’s something in the premise that could make for an entertaining horror-comedy/parody with a blurring of ...

Mean Girls, like 2023’s The Color Purple, is a reminder of Hollywood’s ongoing taste for self-cannibalism. Not content merely to take a known property and send it to the stage as a musical, the industry has taken the play, re-made it as a movi...

It’s in vogue to call some horror films “throwbacks,” but, at least in the case of Danny and Michael Philippou’s directorial debut, Talk to Me, it’s an accurate assessment. In recent years, the horror trend has been for “safer” movie...

It’s fair to say that the third Ant-Man movie is the most ambitious of the trio. It’s also unlike most superhero movies, taking the storyline into uncanny and mostly unexplored (at least in the MCU) directions. There are glimpses of potential ...

Note: I consider this review to be “spoiler-lite.” Although there are no overt revelations of things that can’t be learned by scanning published cast lists or watching the trailer, if you don’t want to know anything about the movie, co...

Here’s a rare example of a Netflix prestige film that neither runs too long nor overstays its welcome. While some of the A-list directors working for the streaming distributor have taken the opportunity to meander and add bloat to otherwise ...

Bill & Ted Face the Music is a love letter for fans of the cult classic films Bill & Ted’s Excellent Adventure and Bill & Ted’s Bogus Journey. Designed with die-hards in mind, the concluding chapter of the trilogy brings back a few friendl...

Bon Voyage, Charlie Brown (full title: Bon Voyage, Charlie Brown (and Don’t Come Back!!)) was the fourth and final theatrical film featuring the Peanuts gang to be overseen by their creator, Charles M. Schultz. Between 1969 and 1980, Charlie...

Spoilers! (Not sure if such a warning is needed – the movie is 75 years old.)In concert with 1941’s The Maltese Falcon, Double Indemnity was at the forefront of a stylistic innovation that would become known as “film noir.” Directors J...

Has the passage of 18 years and the removal of Michael Bay from the director’s chair revived or redeemed the roadkill represented by the previous Bad Boys sequel? To a certain extent, yes, but only when one considers that the third installme...