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When the usage of drones (officially "unmanned combat aerial vehicles") for bombing and surveillance entered the national conversation during the latter years of the last century, the general reaction was positive. The argument was that, by...

When reading the Winnie the Pooh books as a child, I remember being amazed by the revelation that Christopher Robin was a “real” boy. That caused me to wonder whether all the animals were real, too. Goodbye Christopher Robin tells the sto...

Gracie is a by-the-numbers sports drama about a young girl who defies the odds to succeed in an all-male arena. It's the kind of thing that might make for a compelling after school special, but is hardly what one expects to spend $10 for at a mult...

Grand Illusion looks back on the 20th century’s first global conflict from the perspective of a world on the brink of an even greater war. This film, which was cited by Joseph Goebbels as “Cinematic Public Enemy No. 1” when he sought to ...

Another Netflix would-be blockbuster, another disappointment. According to reports, The Gray Man cost the streaming company close to $200M, which puts it alongside Red Notice as having an MCU-sized budget. Unlike most MCU films, however, The Gray ...

What a waste of a talented cast! There are times when it can be depressing to see so much acting potential wasted on a script unable to elicit the best from its stars, and this is one such occasion. Although The Greatest can boast a few excellent ...

Watching Greenland, I was reminded of how long it has been since a major studio has released an “old-school” disaster movie like this one. Perhaps the film might have worked better had it come out a year ago but this is an extraordinarily ...

It’s a given that many modern blockbusters will have sequels – they arrive in theaters with a "franchise-in-waiting" tag already attached. Greenland, the 2020 comet-meets-Earth disaster movie, was not an instant candidate for this illustrious ...

As counter-intuitive as it might sound, chaos only works in a movie when it is carefully controlled and focused. Tarantino is one of several masters of this technique and there’s a sense during the course of Gringo that director Nash Edgerton...

Anne Fletcher's Guilt Trip is essentially a mismatched buddy road comedy. That's a genre as old as the cinema and it can't be said that Guilt Trip does anything sufficiently interesting to warrant notice (unless you count Barbra Streisand dropping ...