Movies with cinematographer Maxime Alexandre

When I first saw High Tension at the 2003 Toronto Film Festival, I wrote the following: " [High Tension] has virtually no chance of finding a North American distributor. After all, what's the market for slasher films with subtitles?" Imagine my ...

In Shazam!, the positives outweigh the negatives. The film’s fresh aspects are strong enough to keep the stale ones at bay. With this 2019 feature, one tiny corner of the DC Extended Universe has finally embraced the concept of “humor,” ...

P2 is a serviceable gore-minded thriller - a competent execution of a premise that ultimately becomes hampered by its inherent constraints. For about the first two thirds of the roughly 90 minute running time, this is a solidly made motion picture...

One could make a solid argument that the 2006 remake of The Hills Have Eyes is superior to the 1977 original. The story has been tightened up, the acting is better, and the blood-and-gore effects aren't as hokey. Unfortunately, the biggest stumbli...

Crawl is an old-fashioned B-grade monster movie made with 2019 technology. In short, that means plenty of gore and jump-scares to go along with creatures that no longer look like puppets or men in rubber suits. Jaws kept the shark hidden for m...

One of the age-old questions about movies is whether a terrible ending can ruin an otherwise solid motion picture. In the case of Oxygen, the bad aftertaste from the contrived and unconvincing conclusion diminishes the experience but doesn’t...

The Crazies, which is based on the 1973 George A. Romero film of the same name (Romero gets an Executive Producer credit for this one), continues the trend of recent films to delve into apocalyptic scenarios. Granted, in this case, it's just a smal...

Sometimes, the lure of generic horror tropes can be too strong for even the most high-minded films to avoid. Come Play is an example. The premise intrigues with its potential – the idea that just because something looks like a traditional �...

I suppose it would be fair to characterize Earth to Echo as an homage to E.T. Or at least I assume that's what director Dave Green and screenwriter Henry Gayden were going for: a gentle throw-back to the kinder sorts of science fiction films of t...

When it comes to horror films, there's one basic principal to consider: consistency means everything. A movie can deviate as much as the filmmakers like from the laws of the real world as long as they establish and adhere to an alternate set of ru...