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Five minutes into The Wedding Planner, I suspected the film was in trouble. Ten minutes later, I knew it was in trouble. There's only one thing that can sink a movie so fast - bad writing. Even excruciating acting takes longer. Romantic comedie...

Ever had the feeling that you're not getting the whole story? That's what it's like to watch What Planet Are You From?, which suffers from the kind of editing job that indicates a cluttered cutting room floor. The product that survived appears to...

When Harry Met Sally, probably Rob Reiner's most popular film to date (the other likely candidate for that title would be A Few Good Men), made the studios aware that, even during the cynical '90s, the romantic comedy could be a profitable genre. ...

The screen adaptation of Delia Owens’ Where the Crawdads Sing, written by Lucy Alibar and directed by Olivia Newman, comes with a built-in audience – the novel has (to date) sold 12 million copies and, if only a fraction of those readers pays ...

In trying to do too much, White Boy Rick accomplishes too little. During the course of less than two hours, it seeks to be a character drama, a true-life crime saga, and a socially conscious commentary about the disproportionately long sentenc...

White House Down is what it's advertised to be: a Roland Emmerich Film. Those familiar with the director's work won't be surprised by anything in the movie. It follows the Emmerich template: a spectacle-tinged, compelling setup; a dumb, disappointi...

"Even a man who is pure in heart,And says his prayers by night,May become a wolf when the wolfbane bloomsAnd the Autumn moon is bright."- The Wolf Man (1941) As the saying goes, "everything old is new again." In the Fall of 1992, there was Fran...

For Vin Diesel, starring in XXX is a wonderfully smart career move. Too bad neither "wonderful" nor "smart" are applicable adjectives to describe this film. XXX is proof positive that it's easier to fail than succeed with the James Bond formula, ...

Where's the Kryptonite? What many movie producers fail to realize is that one of the keys to making a superhero interesting is to give him an Achilles heel - Kryptonite, so to speak. And one of the big problems with XXX: State of the Union is t...

Two weeks ago, I wrote that, while watching Land of the Lost, I felt a sense of depression. That feeling revisited me during Year One, an inexplicably unfunny comedy made by two people who have proven they can do much better: director/co-writer Ha...