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The warning signs were there that Tulip Fever was not going to be a good film. The movie had a troubled production history with hiccups and false starts resulting in an “unreleaseable” cut that has sat around gathering dust since principal ...

Vampire movies aren't what they used to be. Gone are the days when a cape, fangs, a cocked eyebrow, and a menacing glare were enough. By today's standards, those things are quaint. Underworld, from first time director Len Wiseman, is an example ...

Some reviews virtually write themselves, and this is an example. Underworld: Evolution is so much like its predecessor, Underworld, in story, approach, look, and feel that an extended discussions of its merits (and lack thereof) seems redundant. Su...

I'll admit to being surprised that the Underworld series has reached a third installment. Apparently, these films aren't that expensive to make because they have never been big box office performers. With the second movie, Underworld: Evolution, ...

Victoria and Abdul, based on (mostly) true events as related in Shrabani Basu’s historical chronicle of the same name, is effectively a sequel to the 1997 film, Mrs. Brown. That movie, directed by John Madden, detailed Queen Victoria’s fri...

Wanted provides the jolt of adrenaline one expects from solid summer entertainment. It exists solely to keep the heart pounding as it shifts from one gear to the next, decelerating only when exposition demands a reduction in pace. The movie marri...

When it comes to dark satires of the romantic comedy genre, few films are more vicious than Danny DeVito's 1989 offering, The War of the Roses. The film revels in its blackness in a way that few films during the last several decades have; even th...

All of the great Universal horror movies from the 1930s and 1940s have now been remade: Dracula, Frankenstein, The Mummy, and The Wolf Man. Over the years, there have been numerous cinematic encounters with lycanthropy, but The Wolf Man is to were...

For roughly its first third, Joe Wright’s The Woman in the Window, based on the best-selling novel by A.J. Finn, feels like a quasi-remake of Alfred Hitchcock’s Rear Window. It then shifts gears and enters Gaslight/Witness to Murder territ...