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Spoilers - this review discusses the film's ending. The Last American Virgin is a member of the Teen Sex Comedy Class of 1982, which represented the first wave in a genre that gained popularity during the early and mid-'80s. With a late July ...

If one was to clump together all the movies – both narrative and documentary – made about the Vietnam War (or, as it’s called in Asia, the American War), the number would be in the three-digit range. I have seen many of those (although b...

When it comes to historical epics from director Ridley Scott, you never quite know what you’re going to get. On the one hand, he has crafted such gripping, compelling films as the Oscar-winning Gladiator and the tragically overlooked Kingdom...

New Line honcho Bob Shaye has been in the news a lot recently, primarily because of an increasingly acrimonious feud with Peter Jackson over profits from The Lord of the Rings. With The Last Mimzy, Shaye steps back into the director's chair for th...

The entrenchment of a top-flight cast should not be considered an indication of cinematic quality. Although it's true that good actors can sometimes redeem a bad screenplay, more often than not, they end up becoming trapped by it. Such is the case ...

It would be easy to lump Lethal Weapon into the vast scrapyard of mismatched buddy cop movies, but such a facile classification would do Richard Donner's 1987 thriller a disservice. This is one of the best of the subgenre, an action-packed movie t...

Since 1992, when Lethal Weapon 3 became an undisputed box office hit, there has been talk about a follow-up. With the possible exception of the still-unconfirmed Die Hard 4, Lethal Weapon 4 has been the subject of more (often inaccurate) rumors th...

Life Itself starts out with great promise – a dizzying first act that creates the tapestry of a character’s life by offering a kaleidoscope of moments from his past. It’s poignant, effective, and punctuated by actions that are breathtaki...

Fear of the dark - few phobias are more common across the spectrum of modern society. Horror, in all its shapes, sizes, and forms, often works by exploiting this. It’s an underpinning of vampire stories and almost all horror films save their go...