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Guilt and paranoia - two powerful cornerstones of the human psyche. In his latest, award-winning drama (it has captured about a dozen significant international citations), writer/director Michael Haneke explores both, although the manner in which ...

Call Me by Your Name, the latest film from Italian director Luca Guadagnino, is a study in mood and emotion. It’s about living in the moment and capturing that moment. It’s about using the canvas of film to convey to the audience the inner...

There are times when the reputation of a film outstrips the movie itself. Cannibal Holocaust is an example. To some, this is the most disgusting, offensive motion picture ever given an international release. To others, it is a brilliant example of...

Caramel could easily be dubbed a Lebanese version of Salon. The movie, the directorial debut of writer/director/actress Nadine Labaki, follows the lives and loves of five women whose paths criss-cross in Beirut. As is often the case with ensemble...

Carnage is a French dark comedy made with an A-list cast and filmed in English. Adapted from the play God of Carnage by the play's scribe, Yasmina Reza, and director Roman Polanski, Carnage makes no attempt to "open up" the stage production. With t...

Carol is a haunting motion picture - the kind of film that stays with the viewer long after the multiplex’s neon signage has disappeared from the rear-view mirror. Despite having a deceptively simple storyline, the film is entirely unlike any o...

Catch Me if You Can is the closest director Steven Spielberg has come to making a comedy since 1979, when his 1941 bombed at the box office. A jaunty caper movie inspired by real-life events, Catch Me if You Can never takes itself or its subjects ...

Cavalcade, which is based on the Noel Coward play of the same name, became the third anti-war movie in the Academy Awards' first six ceremonies to win the Best Picture Oscar. If nothing else, this reveals something about the lingering power of Wor...