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If elements of 1408 seem a little familiar, it shouldn't be a surprise. Here's John Cusack, once again having lodging problems (see also Identity). Here's a supernatural debunker faced with something that refuses to be debunked (see also The Reap...

The 40 Year Old Virgin is proof that motion picture comedies can still be funny. Sadly, the kind of consistent humor delivered by this film happens too rarely. This is the movie Wedding Crashers should have been: rude, raunchy, uproarious, yet wi...

50 First Dates offers viewers a kinder, gentler Adam Sandler. Gone (at least for one movie) is the narcissistic adolescent caught in a perpetual state of arrested development. In his place is a likeable goofball whose rough edges are worn off by ...

No one will ever mistake iconoclast director Peter Greenaway for a mainstream filmmaker. In tone, style, and themes, his movies contrast starkly with almost everything else available in the motion picture industry. Greenaway, whose films include ...

In 1997 movies, the White House is under siege, although not as literally as in last year's Independence Day. No less than three major motion pictures released between New Year's Day and the twilight of the summer season have stories that postulat...

Alien Nation arrived during a period when science fiction-themed action movies were all the rage. All sorts of variations on familiar themes were tried. Some, like James Cameron’s Aliens, were successful. Others, like Alien Nation, left some...

It's a truism that many of the movies made during the '30s, '40s, and '50s have lost the impact they achieved upon their initial release. Changing times and cultural shifts have robbed them of their relevance, making them at times seem quaint and ...

All the Real Girls is an anti-Hollywood romance; a tonic for all those weary of the usual cinematic overglamorization of love. Anchored deep in the bowels of reality, this movie proves that love can be just as affecting and effectively realized wh...

If the recent spate of bio-pics of musical stars imparts one lesson, it’s this: artists should be remembered for their work not for the Hollywood-ized retellings of their lives. Back to Black is the latest endeavor by the motion picture industry...

2003’s Bad Santa was a milestone in feel-bad black comedy. Directed by Terry Zwigoff, written by Glenn Ficarra & John Requa, and co-executive produced by the Coen Brothers, it was a holiday movie unlike any previous holiday movie. Although ...