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Calling a movie a “fairy tale” and having Julie Andrews provide “Once Upon a Time…” bookend narration are not sufficient reasons to abandon things like intelligent plotting and compelling character development. For years, various Disney ...

Kiss Kiss Bang Bang is the breezy directorial debut of Lethal Weapon screenwriter Shane Black. Black knows film noir inside and out, because he uses the basic template here. He jazzes things up by employing an aware and self-deprecating narrator ...

The Last King of Scotland, in addition to having one of the most misleading titles of any movie to open this Oscar season, could also be 2006's Hotel Rwanda. Like last year's sadly overlooked feature, this one peers into another troubled African na...

It's a genuine pleasure to come across a motion picture like The Last Samurai - a rousing tale that combines high adventure with emotional effectiveness. This movie works because it never loses sight of the characters no matter how epic the scope ...

Like Crazy is a love story, but not one of those pie in the sky/love conquers all romances. Instead, it's a little more down-to-earth. It eschews Hollywood formulas and seeks to turn a less rose-tinted lens upon the concerns of the protagonists. Al...

Sometimes, it is said, truth is stranger than fiction. And, as director Garth Davis has perhaps discovered, filming such truths can be more difficult than filming fiction. Lion, based on the autobiographical tale of Saroo Brierley, tells of the autho...

With the arrival of Rob Marshall’s live-action The Little Mermaid, Disney has now successfully converted all four of their major late ‘80s/early ‘90s animated musicals into updated iterations. Of the quartet (which also includes Beauty and t...