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It's a testimony to the enduring popularity of the story of Mutiny on the Bounty that it has been represented cinematically five times. In addition to the Oscar-winning 1935 production, which is arguably the best of the bunch, there are four other...

Nine represents director Rob Marshall's second big-screen musical spectacle. His previous effort, Chicago, won an Oscar; although Nine is likely to win its share of praise, it probably won't come close to achieving the same level of acclaim. Alth...

The Nutcracker and the Four Realms is a miscalculation of Magic Kingdom-sized proportions. Designed for and targeted at prepubescent girls, the holiday-themed fantasy adventure drowns in CGI, underdeveloped characters, and a plot utterly devoi...

The concept of immortality isn’t new material for either comic books or science fiction/fantasy but the seriousness with which it is treated by The Old Guard is atypical. The movie, based on the graphic novel series by Greg Rucka & Leand...

There's irony to be found in the recognition that the best Die Hard to be released in 2013 isn't the franchise's official entry, A Good Day to Die Hard, but the White House-based copycat, Olympus Has Fallen. And, while Gerard Butler is no Bruce Wil...

Critics writing reviews of Panic Room will likely delve into the cliché bag and pull out some of these familiar phrases: pulse-pounding, edge-of-the-seat, white-knuckler, thrill-a-minute, etc. However trite those sayings might be, they are ap...

I've seen movies like this more often than I'd like to admit: glitzy thrillers with less intelligence than a smart rutabaga where big-name actors pick up a paycheck while trying with limited success not to embarrass themselves and the studio keeps ...

The realities that human beings create around themselves are, by their nature, fragile things – some more fragile than others. In her directorial debut, actress Rebecca Hall addresses the malleability of identity via her adaptation of Nella ...