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The best thing that can be said about the second Night at the Museum (which bears the unnecessarily long full title of Night at the Museum: Battle of the Smithsonian) is that it's harmless. And pointless. And dumb. This is a perfect example of a ...

Nymphomaniac Volume I is possibly the best movie Lars von Trier has made since Dancer in the Dark. It doesn’t take much analysis to determine the “why” of this statement - for Nymphomaniac, the iconoclast director has dialed back the pretent...

Nymphomaniac Volume II, the continuation of the story begun by writer/director Lars von Trier in Nymphomaniac Volume I, is a clear case of a narrative running out of steam. Exhaustingly repetitive, this movie attempts many of the same things its pr...

Official Secrets disrobes a scandal that received scant coverage in the U.S. media when it occurred some 15 years ago. Although hampered somewhat by a fragmented and procedural structure, the film nevertheless makes a compelling argument that ...

For his tenth feature film, writer-director Paul Thomas Anderson once again reinvents himself. A filmmaker who has consistently resisted pigeonholing with projects as diverse in tone and content as Boogie Nights, Magnolia, and Phantom Thread, Ander...

Ralph Fiennes is carving out a nice niche for himself in the genre of period piece romances. For his followup to the Academy-beloved The English Patient, he has once again turned to a love story, this time directed by accomplished Australian...

Pacifiers are for infants. The same is true of The Pacifier. In fact, "infantile" may be the best single word to describe this Kindergarten Cop wannabe. Vin Diesel is better than the material, but, no matter how hard he tries, he can't rise abov...

Passengers is an art-house science fiction movie that somehow got made by a major studio with A-list stars. The film owes more to castaway stories than traditional spacefaring tales and, at least during the first half, it’s ripe with existentia...

Pay It Forward couldn't have more obvious aspirations if the filmmakers announced them. Featuring a top-notch cast; an adept script that meshes tragedy, light comedy, romance, and melodrama; and the kind of overall optimism that is a perfect tonic...