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Whenever a motion picture tackles a literary classic of any genre, fans of the written work hold their collective breaths, hoping for the best, but dreading the worst. On rare occasions, something like The Godfather emerges -- a movie that not onl...

Spoilers (including revelations about the ending)!By 1987, the (first) slasher-film craze had reached its apex. Proven box office winners because of their gory appeal, slashers could be made for next-to-nothing and almost always turned a profi...

Stepmom is the kind of bad movie that can be blamed on just about everyone involved except, perhaps, the actors. There's nothing wrong with any of the performances, although they're wasted in the service of inferior material. The script is a mish...

Street Kings has the look and feel of an '80s cop thriller. Despite the predictability of the overall story arc, there's suspense and tension to be found between the credit sequences, but the movie is saddled with an ending that is both improbable...

It’s impossible to catch lightning in a bottle twice, yet that’s what director Danny Boyle is trying to do with his belated sequel to Trainspotting. More an extended epilogue to the cult 1996 movie than a stand-alone story, T2 (the title is...

When James Cameron crafted The Terminator in 1984, the concept of a sequel was far from his thoughts. The film's box office performance, while more than justifying the movie's understated $6.5 million budget, did not result in studio executives ru...

In 2007, Eli Roth contributed a faux trailer to the Quentin Tarantino/Robert Rodriguez production, Grindhouse. Called Thanksgiving, the movie-that-didn’t-exist depicted the holiday-themed slaughter caused by a maniac in a pilgrim costume. Th...

In movie theaters, January can be a month of surprises - most of them unpleasant. (I'm still trying to wash away the lasting stink from Grandma's Boy.) Fortunately, Tristan & Isolde bucks the trend, offering a tragic love story so involving that ...