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Gag. There must be something about the combination of Steve Martin and Nora Ephron that doesn't work. Anyone remember My Blue Heaven? (For that matter, does anyone want to remember My Blue Heaven?) Regardless of how dreadfully unfunny that Ma...

Money Monster wants to be more than just another mindless thriller. By building its foundation on a message about the dangers of playing the stock market roulette wheel, it seeks to inject substance into a genre overrun by action-driven popcorn films...

What do Alistair Sim, Albert Finney, George C. Scott, Jim Carrey, Patrick Stewart, Bill Murray, and Michael Caine (among others) have in common? They have played the part of Ebenezer Scrooge in an adaptation of Charles Dickens’ A Christmas C...

My Best Friend's Wedding is the estrogen alternative to the vast quantity of testosterone being pumped out by the other major June releases: Con Air, Speed 2, Batman and Robin, and Face/Off. As the summer's centerpiece romantic comedy, My Best ...

Sometimes, pure technical accuracy isn't enough. Sometimes, artistry has to be taken into account. One such case in point is Barry Levision's The Natural, arguably the best baseball movie ever made. The film works not because it is flawless in i...

You know there's a problem when the most interesting character in a film called Oliver Twist is a supporting woman named Nancy. Technically sound and surprisingly faithful to its source material, Roman Polanski's version of Oliver Twist comes acro...

Some will argue that a film, being essentially a means of entertainment, can do little to change a national consciousness. Others, citing the power of the medium, will claim that motion pictures possess this rare and extraordinary ability. These ...

Pompeii is a big, glorious, cheesy mess. A fusion of Gladiator and Dante’s Peak, it can’t decide whether it wants to be an action film about coliseum combatants or a disaster flick. Predictably, by trying to be both, it ends up being good as ne...

Time travel movies meddle with paradoxes and causality - these things lie at the core of their essential fascination. The difference between a good time travel movie and a bad one often rests with one simple quality: Having established a set of "...

Q & A is testimony to the validity of the old adage: a good story, when well told, can never be told too many times. With this movie, director Sidney Lumet doesn't bring anything radical to the screen. The premise - a decorated cop discovered to ...