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In the 1930s, monster movies were the staples of Universal Pictures' line-up, a cash cow as the industry metamorphosed from silent films to talkies. Although the monsters came in all sizes and flavors, none could match the appeal of the "Big Three...

Vanilla Sky (the name refers to a painting by Monet) is the quirkily titled American remake of the 1997 Spanish language feature, Open Your Eyes. Like its predecessor, Vanilla Sky is a mind-bending excursion across genres - a warped fairy tale tha...

At first glance, Vantage Point looks like it might be inspired by Rashomon - different points-of-view of an incident leading to some greater revelation about the nature of truth. However, while the decision to reveal the story like a puzzle throug...

Move aside, Dennis Hopper. Step down, Alan Rickman. I am now convinced that no one can match Jon Voight when it comes to playing a thoroughly detestable bad guy. With his calm, sinister demeanor and menacing facial expression, Voight has the abi...

Venom represents the final result of a long-standing attempt by Sony Pictures to give the popular Spider-Man nemesis his own film. Influenced equally by the comic books and the Deadpool movies, Venom falls considerably short of the high bar s...

If 2018’s Venom felt like an afterthought, then the sequel, Venom: Let There Be Carnage, feels like an afterthought to an afterthought. With its short running length, this drunk-on-CGI production is less a movie and more the outline of somet...

In 2018, an argument could have been made that a Venom-centric movie was sensible, preferably as a lead-in to the expected big-screen clash between the inky symbiont and his web-crawling nemesis, Spider-Man. (The previous motion picture throwdown ...

Seeing the newly-restored, 70 mm print of Vertigo in a theater is an experience that no fan of Hitchcock, or of cinema in general, should miss. Especially for those (like me) whose sole exposure to the film has been through faded, deterioratin...

Just because someone’s life was interesting as viewed through the lens of the nightly news doesn’t mean it’s worthy of a feature film. Or, in the case of former Vice President Dick Cheney, perhaps the filmmakers’ unwillingness to peel ...

Violent Night, Tommy Wirkola’s contribution to the Santa Claus legend, is better than it has a right to be but not as good as it could have been. Using a similar premise to the one botched by 2020’s Fatman (with Mel Gibson as the Man in Red), ...