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It is not an easy thing to walk into a theater and willingly open oneself to being transported back to the blackest day (at least thus far) of the 21st century. There are those who believe this movie should not be released, that it is "too soon." ...

Unleashed is two radically different movies fused into one. On their own, each of the films might have stood a chance of working, but, brought together in concert, the radical shifts in tone create a weird dichotomy that will distract and disorien...

The Untouchables is a tour de force, the pinnacle of a career. For Brian De Palma, known best for his stylish crafting of Hitchcock-influenced plots, The Untouchables represents not only a departure from the norm, but an unqualified triumph. This...

A film like Up makes it clear that Pixar has moved beyond the point where it feels the need to pander to children. Unlike its main animation competitor, Dreamworks, Pixar allows sophisticated themes and ideas to seep into its movies. Everything d...

Up in the Air is a wonderful little film (the word "little" being relative, of course). It was the best thing I saw at the 2009 Toronto International Film Festival, and it stand up as well away from the peculiar atmosphere of the festival as it di...

Get Out was one of the most talked-about and commonly dissected horror films of the decade and it thrust first-time director Jordan Peele firmly into the spotlight. Now, two years later, Peel has answered the “what’s next?” question with Us,...

The "usual suspects" are five men: Dean Keaton (Gabriel Byrne), an ex-cop-turned-crook who's known for his steely demeanor and nerves of iron; Michael McManus (Stephen Baldwin), a psycho entry man; Todd Hockney (Kevin Pollak), a hardware specialis...

Valiant is for the birds. Arguably the blandest of the burgeoning crop of big budget digitally animated films, Valiant aims to prove that the death of traditional animation has simply pushed lackluster screenplays into the digital realm. Until re...

Suicide. Despite its growing prevalence in modern society, few filmmakers tackle this issue, at least not in a serious fashion. The Valley, set in California’s tech-heavy Silicon Valley, examines the impact of a young woman’s suicide on tho...

It seems that movie makers have lost the art of creating a good, scary vampire flick. The last such film to grace the screen was probably Fright Night, and that was a decade ago. Since then, the "sensitive" vampire has come into vogue -- a creatu...