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Those who were regular viewers of Veronica Mars recognize there's an immense wellspring of charisma available to Kristen Bell that she has thus far been unable to tap in her post-Mars career. When in Rome, despite being a standard-order romantic c...

When the Game Stands Tall is one of those cliché-riddled feel good movies that, by trying too hard to be inspirational, ends up as cloying and overly sentimental. At first glance, the narrative trajectory might seem to be on a different vector fr...

When We Were Kings, a documentary about the Muhammad Ali/George Forman heavyweight "Rumble in the Jungle" boxing match, is a wonderfully nostalgic, and occasionally insightful, window into an event nearing its 50th anniversary. By nature, ho...

The screen adaptation of Delia Owens’ Where the Crawdads Sing, written by Lucy Alibar and directed by Olivia Newman, comes with a built-in audience – the novel has (to date) sold 12 million copies and, if only a fraction of those readers pays ...

Although Where’d You Go, Bernadette suffers from an ungainly structure and uneven pacing, the production as a whole is engaging and uplifting. This is due in part to the strength of the cast but also owes something to director Richard Linkla...

While it's true that making good romantic comedies is still something of an art, producing average films of the genre has become a science. Take a little chemistry, a portion of physics, some basic biology, and mix them together according to a wel...

As a satire about the absurdity of war and the way the news media covers it, Whiskey Tango Foxtrot has surprisingly dull fangs. Coming from Lorne Michaels and Tina Fey, this is especially surprising since neither is known for pulling punches. Neverth...

In trying to do too much, White Boy Rick accomplishes too little. During the course of less than two hours, it seeks to be a character drama, a true-life crime saga, and a socially conscious commentary about the disproportionately long sentenc...

White House Down is what it's advertised to be: a Roland Emmerich Film. Those familiar with the director's work won't be surprised by anything in the movie. It follows the Emmerich template: a spectacle-tinged, compelling setup; a dumb, disappointi...

Black is white and white is black. It's a clever gimmick, but, ultimately, as depicted in White Man's Burden, that's all it is. Once the premise is set, writer/director Desmond Nakano doesn't know what to do with it. Added to that is the conside...