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Seen in Disney 3-D. It was bound to happen: a dud for Pixar. Making a sequel to 2006's Cars was always something of a head-scratcher. The original movie, while possessing a certain charm, was among the studio's least inspired efforts and the dea...

In 2002, Paul Neman made his final live-action film, The Road to Perdition. Following that performance, he retired, making only a few TV appearances. He made one exception, providing the voice of Doc Hudson in Pixar’s 2006 animated feature, C...

What happens when movie producers cross Three's Company with Masterpiece Theater? The result would be similar to what Touchstone Pictures has provided with Casanova, a farcical romantic comedy period piece. It's worth noting that producing a farc...

The way Cashback gently plays with reality tickles the memory with distant echoes of Big Fish and Eternal Sunshine of the Spotless Mind. For his feature debut, Sean Ellis has crafted a delightful romantic comedy that provides insight into the hear...

After viewing Casino, you may never look at Las Vegas in quite the same way. While this film, adapted from Nicholas Pileggi's nonfiction book, Casino: Love and Honor in Las Vegas, doesn't offer much in the way of startling revelations, it presents...

Casino Jack (originally called Bagman), George Hickenlooper's dramatization of the rise and fall of lobbyist Jack Abramoff, can be succinctly summarized this way: the straightforward narrative provides a platform for a powerhouse performance by Kev...

The only James Bond story for which Albert Broccoli never obtained the rights is Casino Royale. Those are held by Charles Feldman, who, following the success of Dr. No, From Russia with Love, and Goldfinger, decided that he wanted to make his ...

Castle in the Sky is the third feature film by the Japanese grandmaster of animation, Hayao Miyazaki, and the first movie released by Studio Ghibli. Despite being successful in Japan and cementing Miyazaki’s reputation in the worldwide anim...

There is an almost overpowering desire to write this review in the style of Dr. Seuss, but I will resist it - primarily because the end product is more Mike Myers and overblown production design than it is the clever text of one of the most beloved...

Catch and Release is a confused, disjointed motion picture that tries to be many things and succeeds in being none. In less than two hours (although it feels considerably longer), writer/director Susannah Grant cobbles together nearly every imagina...