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No matter how compelling and intriguing a real-life story may be, it doesn't necessarily translate into an equally compelling and intriguing motion picture. Breach is a case in point. Based on the widely publicized case of turncoat FBI agent Robe...

If you have a powerful desire to see Jennifer Aniston's bare butt, The Break-Up is not to be missed. But if the former Mrs. Pitt's posterior isn't high on your list of sights to see, the film is better left to unspool in theaters unviewed. The Br...

The trajectories traversed by the careers of certain directors can be strange and unfathomable things. Take Blake Edwards, for example. Throughout the 1960s and 1970s, Edwards was an A-list filmmaker with a string of impressive titles on his ...

When it comes to movies, there are two things that the early-to-mid-1980s are best known for: slasher films and teen comedies. While the former category was hard-pressed to give birth to a vaguely watchable entry, quality was widely variable in...

The era of the Universal classic monster movies lasted from 1931, when the studio released Dracula (featuring Bela Lugosi’s iconic portrayal), until 1948 when Abbott and Costello Meet Frankenstein took the venerable horror figures into parod...

One of the positive qualities often attributed to movies in which Judd Apatow claims involvement (here, he's listed as a producer) is that, beneath all the raunchiness and profanity, lies a core of sweetness. It's the Tootsie Pop philosophy of R-ra...

With names like Spielberg, Hanks, and the Coen Brothers, it's hard not to be excited about a project like Bridge of Spies. Yet, although the workmanlike production is solidly engaging, it falls short of the loftiest expectations. It's worth s...

Although it's certainly a matter for argument, many cineastes consider David Lean to be one of the ten best directors of lavish epics. Although several of Lean's most accomplished movies were made while he was based in the U.K., they nevertheless ...

Bridge to Terabithia is an example of a movie that does not deliver what the marketing campaign promises. Instead, it delivers something richer and more meaningful. Disney, in its infinite wisdom, is trying to make the film look like a watered do...

It would be fair to characterize Bridget Jones’s Baby as a huge step up from the previous Bridget Jones outing, 2004’s The Edge of Reason, although it’s not quite in the same league as 2001’s Bridget Jones’s Diary. Why w...