Search for The End

Anchorman 2: The Legend Continues could easily be called Anchorman 2: More of the Same. However, when it comes to comedy sequels, is there a reason to expect anything different? More importantly, is there a reason to want anything different? People...

For his sophomore effort, filmmaker Rod Lurie turned his attention to the Oval Office. The Contender, a low-key political thriller that relies primarily on character interaction to develop tension, is a close cousin to Lurie's debut cinematic ...

The Descendants may be director Alexander Payne's finest outing to date. The man who began his career behind the camera with withering satires (Citizen Ruth, Election) has moved into dramatic comedies (About Schmidt, Sideways) that simultaneously ...

Wim Wenders' The End of Violence offers the same type of experience one could expect from sitting through a David Lynch film with a reasonably-coherent narrative (unlike, for example, Lost Highway). Arguably Wenders' most disjointed film to date, ...

The Expendables 2 does not defy expectations; it defines them. If you think you know what the movie will deliver, you're probably right. No surprises, no twists. Even more than the original The Expendables, this feels like an homage to the '80s, al...

They're back! That lovable band of washed-up '80s action heroes has returned in full glory for the third installment of Sylvester Stallone's The Expendables series. And, while some of the names have changed (bye, bye Bruce Willis and Chuck Norris;...

For those weaned on action films from the '80s and '90s, The Expendables might seem like a dream come true. Sylvester Stallone, who is credited as both director and co-screenwriter (in addition to being the star), has assembled a dream team: himse...

Voyeurism is a favorite pursuit of Americans, and The Girlfriend Experience works in large part because it indulges that pastime. The fascination with the film is that it offers an arm's-length opportunity to peer through a peephole into a lifesty...

John Dies at the End is problematical. It's an attempt by director Don Coscarelli to adapt a book that has a fanatical following but has often been described as "unfilmable." The end result has garnered mixed reactions from those who love David Won...

The most important name associated with this new telling of the tale of King Arthur is “Guy Ritchie.” More than most working directors, Ritchie comes to projects with his own specific take on them – one that inevitably rubs some viewers ...