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When we last saw Richard Dreyfuss gazing skyward, he was about to have a close encounter of the third kind. Now, some four-plus decades later, the still-working actor is again looking up, although this time the reasons are less extraterrestria...

In a bygone era, something like Bandit would have been a TV movie of the week. All these years later, it retains the look and feel of something not quite “theatrical” in its ambitions. If it has any future as a streaming rental, such hopes lik...

If there’s an obvious problem with Beach House, it’s that the setup takes too long and the payoff is too abrupt. An erotic thriller than could have used a little more eroticism, Jason Saltiel’s feature debut takes the term “slow burn”...

Put this one squarely in the “guilty pleasure” category. And keep in mind that if you can’t be entertained by a thirteen-year old girl ruthlessly dispatching evil-doers in ways that will make a horror film fans tingle with glee, this may...

Spoilers! (Is that relevant for a film that’s 100 years old??)In no way does any aspect of The Cabinet of Dr. Caligari resemble what we today would identify as “film.” With its bizarre set design, over-the-top acting, and operatic style, ...

Seemingly taking inspiration from Traffic, writer/director Nicholas Jarecki attempts to use a thematic connection (rather than a narrative one) to tie together three separate stories. (Although two of the segments intersect at the climax.) The...

Don't Be Afraid of the Dark, a re-make of the 1973 made-for-TV movie of the same name, is a haunted house movie whose success lies in the careful manner freshman director Troy Nixey steeps everything in a surfeit of atmosphere. It overflows. It suf...

Perhaps Drive is an action movie for those who don't ordinarily like action movies. It's also an action movie for those who crave them like a drug. Employing unusual camera angles and a unique sense of style, director Nicolas Winding Refn takes us ...

People suck. Life sucks. And when you get to the top, you realize that everything is hollow and pointless. That sums up Bret Easton Ellis' philosophy as well as the central themes of the latest downer of a movie based on one of his novels. The ...