Search for Ttra

For a filmmaker like Joss Whedon, known world-wide for playing with huge budgets in genre entertainment, the choice to bring to the screen one of Shakespeare's most popular comedies using a low-budget, "experimental" style might seem an odd choice....

The ghost of Mark Twain looms large over Jeff Nichols' Mud, a modern-day homage to the settings and characters popularized in some of Twain's best loved works. The protagonists in Mud, a couple of 14-year olds, are named Ellis (Tye Sheridan) and Ne...

Sally Potter’s quirky The Party owes a lot to a generation’s worth of French “gathering” films in which a bunch of characters come together for dinner (or something similar) and all hell breaks loose. Commonalities among these films in...

Riff Raff reminds me of one of the avalanche of post-Pulp Fiction movies that tried (and mostly failed) to latch onto the vibe that the Tarantino film gave off. Riff Raff owes a lot to Tarantino (and probably just as much to the Coen Brothers) ...

The apocalyptic scenario is one that nearly everyone born after 1945 has had to consider at one time or another. From the '50s through the '80s, it was the potential of a nuclear holocaust. Now, it's terrorism. Living with the ongoing possibility ...

Once you get past all of the wild camera tricks and visual gimmickry, you arrive at the core of The Rules of Attraction and find out that it's really about something other than replicating the party life at a New England college. Working from his ...

Starting out in the Evening is as much a meditation on the craft of writing as it is a May/December romance. It's a gentle, unhurried drama about how people can connect with each other through conversation, nonverbal gestures, and writing. The pa...

Stronger is a based-on-a-true-story account of the post-terrorist attack travails of Jeff Bauman (Jake Gyllenhaal), who became to many the “face” of the 2013 Boston Marathon bombing victims. Immortalized by a photograph taken by Charles Kr...

It's often said that there's nothing new in Hollywood. That may well be true, but that doesn't stop writer/director Mitchell Lichtenstein from trying in his debut feature. Teeth is not only odd but it's genre-defying. The film doesn't limit its ...

Trade is a straightforward and uninspired look at the sex trade, where girls are kidnapped and forced into prostitution. To its credit, the film avoids titillation but, at the same time, it is so full of moral outrage that there's no sense of dram...