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It's difficult to make a movie about bullying without resembling an Afterschool Special. To her credit, writer/director Amy S. Weber avoids this hurdle. A Girl Like Her unfolds with a clear-eyed approach to the subject - a drama that fleshes out ...

The Girl Next Door builds up enough good will during its successful first half that we're willing to forgive some of the strange and disappointing convolutions the plot takes us through during the final 45 minutes. There are two primary reasons wh...

Spoilers follow, although those who have read the book won’t be bothered by them. Although The Girl on the Train is a serviceable thriller, it’s hard not to see it as something of a disappointment. As a B-movie whodunnit designed for f...

Girl with a Pearl Earring is the first feature for director Peter Webber. Most freshman filmmakers don't come close to Webber's level of accomplishment, and (not to take anything away from him) some of the credit must certainly be parceled out to ...

The dark seeps out of the screen like living thing, evidence that The Girl with the Dragon Tattoo is more than a paycheck to director David Fincher, who has improbably affixed his own imprint on a movie that comes weighted down with possibilities a...

Every actor or actress has his or her pet project - something they put their whole heart and soul into getting on the screen. For some, especially those who flirt only briefly (or not at all) with the spotlight of public adulation, this can be...

The focal point of one of the 2000 Sundance Film Festival's more serious bidding wars was this year's co-winner of the Grand Jury Prize (Dramatic Competition) and sole winner of the Directing Award (Dramatic Competition), Girlfight. At one point, ...

Voyeurism is a favorite pursuit of Americans, and The Girlfriend Experience works in large part because it indulges that pastime. The fascination with the film is that it offers an arm's-length opportunity to peer through a peephole into a lifesty...

Girls Trip is the fusion of a raunchy vacation comedy and a female-bonding melodrama. Unfortunately, the jokes stop being funny about 30 minutes before the end credits roll and the character-based elements are never better than overly familia...

Since Jeff Bridges optioned the rights to Lois Lowry's The Giver shortly after its 1993 publication, the tale has been on a slow track to production. Bridges, however, didn't give up and, although his original choice for the title character passed ...