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With his third feature effort, writer/director M. Night Shyamalan has taken a huge step in the wrong direction. After showing great strides of maturity between his ineffective debut, Praying with Anger, and 1998's appealing Wide Awake, Shyamalan h...

Sky Captain and the World of Tomorrow is about 70% style and 30% substance. It has a plot and characters, but those are almost beside the point. They are devices that function as hooks upon which first-time director Kerry Conran can hang his amaz...

8-year old Jonah Baldwin (Ross Malinger) misses his mother, who died from cancer eighteen months ago. More than that, however, he recognizes that his father, Sam (Tom Hanks), is desperately lonely. So, on Christmas Eve, Jonah calls a radio talk-s...

On the rebound from a lifeless seven-year marriage and trying to get her personal life back on track, Carly Norris (Sharon Stone) decides on a change in venue and opts to move into an upscale Manhattan high-rise. There she meets a trio of unusual ...

Let's start out by not dwelling overmuch on the existence of Mirror Mirror. The basic story outline may be the same, but the similarities end there. Everything of importance is different: tone, intent, plot specifics, and so forth. Mirror Mirror is...

Solo: a movie no one was clamoring for that has been made without any distinguishing qualities. Pretty much everything that needed to be said about the iconic character of Han Solo was accomplished during his on-screen appearances in Episodes ...

By any reasonable critical analysis, The Sound of Music is a terrible movie. With its implausible screenplay, terrible acting, and sugar-shock mawkishness, it has all the earmarks of something that, despite its initial burst of popularity, woul...

In a year of debacles and big budget implosions like Supernova, Mission to Mars, and the unforgettable Battlefield Earth, the task of creating the most satisfying science fiction movie (to date) has been left to veteran director Clint Eastwood. Wh...