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Last year, when I heard about a film on the way called Notorious, I was concerned that there would be an "updating" of Alfred Hitchcock's film of the same name. Thankfully, this is not the case. Notorious is not an example of a remake, but it is ...

The concept of immortality isn’t new material for either comic books or science fiction/fantasy but the seriousness with which it is treated by The Old Guard is atypical. The movie, based on the graphic novel series by Greg Rucka & Leand...

You know there's a problem when the most interesting character in a film called Oliver Twist is a supporting woman named Nancy. Technically sound and surprisingly faithful to its source material, Roman Polanski's version of Oliver Twist comes acro...

Once Upon a Time in Hollywood, the “ninth film from Quentin Tarantino,” might be too long and a little self-indulgent. But it’s also chock-full of brilliant moments, great performances, and a sense of ’60s Hollywood infused with a mix ...

For his tenth feature film, writer-director Paul Thomas Anderson once again reinvents himself. A filmmaker who has consistently resisted pigeonholing with projects as diverse in tone and content as Boogie Nights, Magnolia, and Phantom Thread, Ander...

Will Ferrell's recent resume isn't anything to get excited about: Land of the Lost, Step Brothers, Semi-Pro, Blades of Glory. There's a sameness to all of them, not only in that the Ferrell characters are difficult to differentiate from one anothe...

Phantom Thread, Paul Thomas Anderson’s follow-up to 2014’s Inherent Vice, feels a little like a mash-up of Bergman and Hitchcock without the verve of the latter and the subtleties of the former. What begins as a stately costume drama set i...

To lump The Pianist in with all of the other Holocaust stories brought to the screen does a great disservice to this powerful, compelling motion picture. Crafted without a whiff of melodrama, this motion picture takes a steady, unflinching look at...