Good Dinosaur, The
Run Time: 1:35
U.S. Release Date: 2015-11-25
MPAA Rating: "PG"
Genre: Animated
Director: Peter Sohn
Cast: (voices) Raymond Ochoa, Jeffrey Wright, Frances McDormand, Steve Zahn, A.J. Buckley, Anna Paquin, Sam Elliott

"The Good Dinosaur", although an adequate family film, lacks qualities that have made many of Pixar’s previous productions classics.

Run Time: 1:49
U.S. Release Date: 2015-11-25
MPAA Rating: "PG-13" (Violence, Profanity)
Genre: Action/Horror
Director: Paul McGuigan
Cast: Daniel Radcliffe, James McAvoy, Andrew Scott, ...

Screenwriter Max Landis has reduced Mary Shelly’s cautionary tale to a bad comic book, bereft of soul and intelligence.

Run Time: 2:12
U.S. Release Date: 2015-11-25
MPAA Rating: "PG-13" (Violence, Profanity, Sexual Content)
Genre: Drama
Director: Ryan Coogler
Cast: Michael B. Jordan, Sylvester Stallone, Tessa Thompson, ...

2015 has seen its share of sequels; perhaps surprisingly, "Creed" is among the best.

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This was the movie that reshaped the industry (for better or worse); it’s possible to argue that no more important film was released during the second half of the 20th century.

Run Time: 1:51
U.S. Release Date: 2015-11-06
MPAA Rating: "PG-13" (Profanity, Sexual Content)
Genre: Drama
Director: John Crowley
Cast: Saoirse Ronan, Emory Cohen, Domhall Gleeson, Fiona Glascott, Jane Brennan, Julie Walters, Jim Broadbent

Although not without moments of sadness and tragedy, "Brooklyn" is sublimely uplifting and life affirming.

"Mockingjay Part 2" fails to satisfy as either a traditional sci-fi adventure blockbuster or an exploration of the dark side of war.

"Revenge of the Sith" exists not only as a fine chapter in its own right but its existence improves the other five segments.

"Spotlight" is a Valentine to investigative journalism and a stark reminder of where we’re headed now that this brand of writing has become an endangered species.

It might be possible to make a gripping film about the 2010 mining disaster but "The 33" isn’t it.

Overplotted and at least 20 minutes too long, the film opens big, slogs through its middle act, and recovers for a rousing conclusion.