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Immortals plays like the illegitimate offspring of 300 and Clash of the Titans, but while it represents a substantial improvement over the latter, it falls short of the former. As is typical of films directed by Tarsem Singh (The Cell), a weak narr...

Mirror Mirror is the latest attempt to rework the Grimm Brothers' fairy tale, "Snow White and the Seven Dwarves," into something new, adventurous, and appealing to 2012 movie-goers. The result is mixed: the affable, family-friendly motion picture i...

On the surface, Moonlight presents three formative episodes in the life of a gay black man, but taking such a bird’s eye view of the film misses all the details and nuances. Although Barry Jenkins’ film is indeed about the struggles and d...

The passage of time often impacts how films are viewed. Some, like Citizen Kane, evolve from being modest successes into masterpieces. Others, like Robert Redford's Ordinary People, do not fare as well. Lauded by critics and the Academy alike, O...

Other People’s Money, the motion picture adaptation of Jerry Sterner’s 1989 play, opens with a deliciously cynical monologue by Danny DeVito that captures public perceptions from the era: “I love money. I love money more than I love the ...

Remember how Liam Neeson made it an annual tradition to release a cheesy action/thriller every January or February? Well, Neeson appears to have retired from that business leaving the door wide open for Gerard Butler to step through. Butler has th...

Over the years, the Rambo sequels have been defended as “adrenaline and testosterone cocktails” and “odes to machismo.” It’s hard to imagine, however, what the defense might be for the fifth and final Rambo movie, Last Blood. Who was...

Scary Stories to Tell in the Dark, based on the novel by Alvin Schwartz (with illustrations by Stephen Gammell), is three-fourths of a good horror movie and one-fourth disappointing. The film, constructed as a series of episodic vignettes conn...

Self/less begins with a promising (albeit well-worn) science fiction premise, degrades it by turning it into a generic thriller, and finishes it off with a rushed, disjointed ending. The film, from director Tarsem Singh (whose most recent credit was ...

Spider-Man 2 has all the elements of a good, but not great, superhero motion picture. While lacking the tragic grandeur that made last year's Hulk such a unique experience, Spider-Man 2 fills the void with solid character development, self-referen...