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Like Crazy is a love story, but not one of those pie in the sky/love conquers all romances. Instead, it's a little more down-to-earth. It eschews Hollywood formulas and seeks to turn a less rose-tinted lens upon the concerns of the protagonists. Al...

The Lost City is probably best viewed as a romantic comedy spiced by adventure elements rather than the other way around. Regardless, it’s passably sweet entertainment but, just as it’s unlikely to stick in the craw, it won’t hold a place in...

Billy Wilder, one of the titans of cinema during the 1940s and 1950s, won his first Best Director Oscar for 1945's The Lost Weekend (he would go on to win another for 1960's The Apartment). Over a span of 21 years beginning in 1940 and concluding ...

To some, Mike Myers is Wayne. To others, he is Austin Powers or the voice of Shrek. It's doubtful that he will be Guru Pitka to many. The Love Guru, Myers' latest film and his most recent live-action endeavor since The Cat in the Hat, is as unmem...

Those who have been waiting for the "next Amelie" may have found it with Love Me if You Dare - at least after a fashion. However, in place of the wry sweetness of the film that catapulted Audrey Tautou onto the international stage, this movie is a...

A noir horror movie of the most un-classic kind, Brad Anderson's The Machinist takes you into the unstable mind of an insomniac with a dark secret whose life has become a bleak emotional wasteland devoted only to going through the motions of workin...

Mad Hot Ballroom is about ballroom dancing in the same way that Spellbound is about spelling bees and Hoop Dreams is about basketball. That is to say, tangentially. Although ballroom dancing forms the backdrop against which this uplifting documen...

Modern American society doesn’t value age. In ways that are sometimes subtle but often overt, we discriminate against those who have lived the longest and seen the most because they have lost prized traits: youth, vigor, and physical attract...

"When the legend becomes fact, print the legend." That single quote, uttered by newspaperman Maxwell Scott (Carlton Young), encapsulates the primary theme of John Ford's last great Western, The Man Who Shot Liberty Valance. Truth is only meanin...

As remakes go, The Manchurian Candidate is better than most. It remains faithful to the premise and themes of the original, but, by avoiding a slavish re-interpretation, it offers some surprises to those who are familiar with the 1962 version. Ye...