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It's ironic that a motion picture designed as mainstream, commercial entertainment in France will be viewed as an art house film during its American run. The movie in question is Patrice Leconte's The Girl On the Bridge, which made more than $20 m...

Throughout his career, Ridley Scott has assiduously avoided sequels, making only two: Hannibal (the follow-up to Jonathan Demme’s The Silence of the Lambs) and Alien: Covenant (the sequel to his own Prometheus). Gladiator II marks the third. ...

A companion piece in the truest sense of the term, The Godfather Part II garnered as much adulation as its predecessor, if not more. Receiving twelve Academy Award nominations, and again winning Best Picture (and this time Best Director for Coppol...

Eighteen years after the first screenings of The Godfather, the long-awaited third and final chapter reached theaters. That it proved unable to fulfill expectations was a predictable - if somewhat disheartening - result, given the sixteen year bui...

Rarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangster movie...

The success of Going My Way, a mediocre, light drama with a few songs, is a testimony to the overall popularity of the musical genre in the '30s, '40s, and '50s. There's nothing special or memorable about this overlong endeavor, the first of two m...

Grease is a perfect way to become immersed in the recent past. Not only was it one of the top box office draws in 1978, but it capped off a decade of '50s frenzy (that began, ironically, with the off-Broadway opening of the play Grease in 1972). ...

The Greatest Show on Earth, the penultimate film credited to Cecil B. DeMille, contains all the elements loved by the great director: larger-than-life characters, sumptuous visuals, a long running time, and cutting-edge special effects. Althou...

Anne Fletcher's Guilt Trip is essentially a mismatched buddy road comedy. That's a genre as old as the cinema and it can't be said that Guilt Trip does anything sufficiently interesting to warrant notice (unless you count Barbra Streisand dropping ...

These days, it seems damn near everything is based on a comic book, and not all the resultant cinematic material is worth the effort taken to adapt it. Certainly, Hercules is a big-budget misfire of a sizeable order, a visually busy but emotionall...