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The Sentinel is a movie in which one's perception of the proceedings will be impacted by a familiarity (or lack thereof) with the TV series 24. For those for whom that number means little more than "two dozen," The Sentinel is a Michael Douglas mo...

The primary goal of Seven Pounds is to make viewers weep, and it pursues that aim with a doggedness that is almost commendable. The film manipulates shamelessly and, despite defying logic with its contrivances and unconvincing character portrayals...

Shall We Dance? is a remake of the 1997 Japanese feature by the same name. Penned and directed by Masayuki Suo, that film was an unexpected pleasure - a feel-good feature that wasn't weighed down by the unnecessarily cloying melodrama and manipula...

What would it be like if celebrated playwright and screenwriter David Mamet collaborated with Franz Kafka? While we'll never know for sure, The Spanish Prisoner gives a good indication. This film, the fifth to be authored and directed by Mamet (w...

After watching Spin Me Round, I’m not sure I’ll ever consider the “fine dining” of Olive Garden in quite the same way. A satirical twist on the normally saccharine rom-com genre, Jeff Baena’s feature (which he co-wrote with star Alison B...

The mining of old television shows continues, and, while one wouldn't expect much from a movie version of the vintage late-1970s TV cop series, Starsky and Hutch, this is one time when the filmmakers have uncovered some surprisingly rich ore. The ...

Street Kings has the look and feel of an '80s cop thriller. Despite the predictability of the overall story arc, there's suspense and tension to be found between the credit sequences, but the movie is saddled with an ending that is both improbable...

Takers is a standard-order heist flick that stays mostly true to its B-movie roots until the end, when director John Luessenhop attempts to inject a little seriousness (there's some slow-motion and even an operatic score) into an otherwise unpreten...