Search for Comedy

Two years after its release, the impressions that linger about the original Deadpool are its snarkiness and audacity. The story itself is hard to recall, in large part because it was one of the least impressive aspects of a production that was...

Death at a Funeral addresses the question of whether a British comedy featuring a bunch of white guys can translate into an American setting with a group of (primarily) black characters. Since the answer is "yes," this says something about the fle...

Despite being directed by a Yank, Death at a Funeral has a very British flavour. In fact, at times it reminded me of nothing less than an extended episode of Fawlty Towers, minus the manic genius of John Cleese. The film begins slowly, with occas...

With a title like Death of a Unicorn, it’s perhaps unsurprising that Alex Scharfman’s film has a distinct Yorgos Lanthimos vibe (keeping in mind that Lanthimos made something called The Killing of a Sacred Deer). Although Scharfman doesn’t em...

Roger Ebert once said that, if done right, any topic could be the subject of a comedy. In that spirit, consider The Death of Stalin. From the title, one might assume that this is a serious look at a seminal event of 20th Century world history. ...

Christmas movies like this are enough to turn one into a Grinch or at least make one wish that the filmmakers would get a visit from the Ghost of Christmas Future. Why it is so hard to make a decent Christmas comedy? Not every movie has to be on ...

Deconstructing: To write about or analyze in a way that questions traditional assumptions about certainty, identity, and truth, asserts that words can only refer to other words, and attempts to demonstrate how statements about any text subvert the...

Most people believe in some form of an afterlife, although the specifics vary from individual to individual. In scripting Defending Your Life, Albert Brooks approached the subject from more of a philosophical than a religious/spiritual perspective...

Calling Delivery Man a "comedy" is a bit of a stretch, because it's rarely funny. Dumb, yes, but not in a way that's worthy of more than a half-hearted chuckle. Then again, it functions even worse as a "drama" because the production insults the vie...

The Descendants may be director Alexander Payne's finest outing to date. The man who began his career behind the camera with withering satires (Citizen Ruth, Election) has moved into dramatic comedies (About Schmidt, Sideways) that simultaneously ...