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We Are Your Friends is presented in three very different acts. The first is at times fresh and inventive, with playful elements that enliven the narrative. The second is solid but familiar. The third is meandering and strangely unsatisfying, even tho...

I have never been a fan of big, bold tearjerkers – the kind that often function equally well as motion pictures or commercials for Kleenex. Despite great, lived-in performances from lead actors Florence Pugh and Andrew Garfield, We Live in Time ...

Considering the wealth of material provided by the recent tragedy in Bosnia, it's surprising that Michael Winterbottom's Welcome to Sarajevo is the first major Western motion picture to take place in the war-torn country. It's possible to argue th...

Few things are more depressing in moviedom than films that squander a great premise. Such is the case with What Happened to Monday, a sci-fi thriller than all-but-abandons its deep philosophical underpinning in order to pursue a straightforward...

Some might wonder why it has taken so long for comedic icons Woody Allen and Larry David to work together. Their brands of humor - relying more on wit than stupidity - are similar and both inhabit the same geographical and philosophical orbits. A...

The previews for When a Man Loves a Woman do this film an injustice. Heavy on poorly-edited melodramatic sequences, they give little inkling of the level of emotional honesty attained. Luis Mandoki's film succeeds not because it tackles alcoholis...

Michael Haneke's The White Ribbon, which won the Golden Palm Award at the 2009 Cannes Film Festival, is the quintessential art film: slow, demanding, and rewarding for those willing to put forth the intellectual effort necessary to puzzle out its a...

The Whole Nine Yards suffers from split personality syndrome - it's a strange hybrid of film noir and comedy. At first, this might not seem like an unusual approach, until you recall that most movies of this ilk are satires. That's not what's goi...

As a comedy, Wicked Little Letters hits many of the right notes, although the satirical elements are often presented too bluntly to lacerate with maximum effect. As a mystery, however, it is less than impressive. The whodunnit? aspect is revealed ...

Winner of four 1994 Cesar awards (best picture, best director, best screenplay, and best female newcomer), Wild Reeds beat out such big-name, high-budget productions as Queen Margot. Originally commissioned by French television, but first released...