Movies in the Action/Comedy genre

Perhaps the first thing to note about the third Deadpool movie, appropriately titled Deadpool & Wolverine, is that it’s not so much a film as it is a 2-hour sketch comedy, an overlong parody that uses the MCU as a playground in which Ryan Re...

Beverly Hills Cop: Axel F, the fourth installment in the Beverly Hills Cop franchise, understands what made the 1984 original (and its first sequel) successful and leans heavily into those strengths although some elements don’t play as well in t...

I’m not sure what more I can say about Bad Boys: Ride or Die, the fourth installment in the over-the-hill franchise, that I haven’t written in reviews of the previous films. Unsurprisingly, considering it has the same directors as the third Ba...

Beverly Hills Cop holds a retains a hallowed position in the pantheon of ‘80s blockbusters. It was the third of three films to catapult Eddie Murphy to movie stardom (the others being 1982’s 48 Hours and 1983’s Trading Places). At the time w...

The Fall Guy represents what a true “summer movie” should be: a light, fast-paced spectacle with likeable characters and a balance between action/eye candy and narrative elements. No one is going to call Drew Pearce’s screenplay a masterpiec...

Bonkers. That’s one way to describe the stylistic, chaotic splurge of blood, gore, and action that characterizes Mortiz Mohr’s feature debut, Boy Kills World. A comedy that leans heavily into the grand guignol before imbibing deeply from a pot...

Violent Night, Tommy Wirkola’s contribution to the Santa Claus legend, is better than it has a right to be but not as good as it could have been. Using a similar premise to the one botched by 2020’s Fatman (with Mel Gibson as the Man in Red), ...

There’s a time and a place for mayhem, and that’s essentially what Bullet Train is: two hours of fights, carnage, and witty repartee. Oh, it’s too long, to be sure – probably at least by 20 minutes. And its puzzle-like structure is too com...

Boiled down to its essence, Thor: Love and Thunder is just another comic book movie – a celebration of the tropes that have made each new MCU entry an opportunity for Disney to fatten its coffers. Nevertheless, “it” director Taika Waitit...

Director Patrick Hughes doesn’t have an impressive resume. His comfort zone lies in the realm of action-comedies that aren’t as exciting or as funny as they should be (to wit: The Hitman’s Bodyguard and its lamentable sequel). The Man from To...