Movies in the Comedy/Drama genre

The Square is an indicator that not only Hollywood blockbusters can be afflicted with bloat. At nearly 2 1/2 hours in length, this production takes what could have been a lean, incisive satire of art, commerce, and altruism and turns it into a...

Submarine arrives in the United States due in large part to the championing of Ben Stiller who, despite having only the briefest of cameos on-screen, leant his considerable star power to the film's marketing. It's one of those funny, charming comin...

Summer ’03 is a coming-of-age story characterized by comedy-infused drama and a decidedly female point-of-view. The time period can be deduced from the title but, excepting the way cars and cellphones look, things weren’t that different 15...

There has been much discussion and debate recently about the simplistic and juvenile handling of characters in female-oriented motion pictures, with perhaps Confessions of a Shopaholic being the poster child for what's wrong with many of these movi...

A Swingers Weekend, writer/director Jon E. Cohen’s spouse-swapping tale, starts out with a strong sit-com vibe before taking an abrupt turn during the third act into Lifetime TV movie territory. For a movie that wants to explore truths about...

The Switch made me want to gnash my teeth in frustration. Nested within the restrictive confines of a middling romantic comedy is a secondary plot of some immediacy and power. It results in several moving scenes and allows Jason Bateman's acting ...

With Charlie Kaufman, the writer of such movies as Being John Malkovich, Adaptation, and Eternal Sunshine of the Spotless Mind, one expects something weird and wonderful. So it will come as no surprise that "weird" is an apt descriptor for Synecdo...

The Roses is not a remake of the 1989 film The War of the Roses, which starred Michael Douglas, Kathleen Turner, and Danny DeVito (and was directed by DeVito), although both movies draw from the same source material: Warren Adler’s novel. Di...

This is the sort of movie that gives “chick flicks” a bad name. It’s a cross between inept melodrama and a bad sit-com. The “comedy” (for lack of a better word) is obvious, poorly timed, and not especially funny. The “drama” (again, f...

This is 40 has the feel of one of those French "family comedies" - sort of like the kind of thing brought to the screen by Cedric Klapisch, except with more profanity and vulgarity. There's not much in the way of a conventional narrative. This is 4...